When you’re building a sound, do you plan your modulation from the start, or does it happen naturally as you tweak?
Often, the creative process is quite organic. I usually start with a basic patch and leave room for exploration and experimentation, which allows me to discover modulation settings I hadn’t planned from the outset. This spontaneous approach often leads to unique and unexpected results.
However, there are times when I have a clear vision of the final sound. In those cases, I plan the modulation from the very beginning, mapping out specific routes that enhance the intended character. This method helps maintain a coherent direction while developing the sonic idea, ensuring every modulation element serves a purpose.
Ultimately, flexibility is crucial. Sometimes the initial idea evolves, and modulation becomes a process of discovery, allowing you to fine-tune the sound intuitively. This blend of planning and experimentation truly enriches the sound design process.