March 17, 2025How to use automation in music production March 14, 2025Audio routing: how to use buses, auxes, sends, and returns when producing music March 13, 202550 song ideas to inspire your next masterpiece March 12, 2025Live 12.2 is Coming – with Bounce to New Track, New and Updated Devices, and More March 11, 2025Laidback Luke on why FM synthesis keeps shaping dance music March 10, 2025Why it works: Dissecting the production moves that brought Keinemusik’s “All I Got” to the top of the charts March 6, 202510 of the weirdest instruments of all time March 5, 2025DJing the WNBA, scoring E! documentaries, and designing fashion show soundscapes: A conversation Vicky Casis March 5, 2025How the Young Urban Arts Foundation empowers artists with music tech and community in London March 3, 2025From synths to sequencers: Meet the pioneers of electronic music February 27, 2025Score vs. soundtrack: understanding the difference February 26, 2025Breathe life into your samples: The Towerz method for authentic sound in dance music February 25, 20255 music production tips from techno legend Kevin Saunderson February 25, 2025Flip Samples from Your Phone with Move’s Latest Update February 20, 2025Why contrast matters in sound design: longstoryshort’s approach with Kontakt February 18, 20255 tips for organizing your sound library February 14, 2025What are pads in music production? A guide to creating lush soundscapes February 13, 2025Glitch effects in music production: free download and DIY tutorial
