Beyond mastering, I often use Ozone 11 modules in the mixing process, whether on individual channels or mix buses. These modules are incredibly versatile, whether for dynamic EQing, handling resonances (Stabilizer/Clarity), tackling specific low end issues (Low End Focus), or shaping transients. In some cases, I use them to experiment with sound design – like transforming sounds entirely using Stabilizer’s Transient Mode. Both the Exciter and Imager are also invaluable tools during mixing, offering excellent tonal shaping and spatial control.
For dance music, I prioritize low-end tightness, punch, and stereo imaging, while for acoustic or melodic genres, I focus on warmth, natural dynamics, and tonal balance. For example:
- Melodic techno: I emphasize subtle midrange details and target a loudness of around -7 LUFS.
- Drum and bass: I ensure the sub bass is controlled, transients remain sharp, and loudness is pushed as far as possible, sometimes reaching -3 LUFS.
Ozone isn’t just for mastering…
I frequently use its modules in mixing, too – whether for taming resonances with Dynamic EQ, addressing low-end issues with Low-End Focus, or adding tonal character with Exciter. Sometimes I even use tools like Stabilizer in transient mode to experiment with sound design.
Modules like Imager and Exciter are particularly useful for shaping spatial and tonal aspects during mixing.